In my first novel, The Pull, my characters are really
good people. I did this because when I watch a movie or read a book
full of selfish horrible characters, I don't care what happens to
them at the end, I'm just glad to be rid of them. It's so important
convince your reader to root for the protagonist.
But it's a fine line. You can't make your characters too good or you end up with Edward from twilight. Now don't get me wrong, I definitely enjoyed that series and I'm not trying to criticize Stephanie Myer. I think she has a brilliant creative mind and a sensational story, however, Edward is too damn perfect.
But it's a fine line. You can't make your characters too good or you end up with Edward from twilight. Now don't get me wrong, I definitely enjoyed that series and I'm not trying to criticize Stephanie Myer. I think she has a brilliant creative mind and a sensational story, however, Edward is too damn perfect.
He doesn't get jealous or angry when Bella kisses Jacob at the top of that mountain?! Really?! Instead
of Edward coming to life in my imagination as a flawed and complicated
person, he remains flat on the page as the author's idea of a perfect man.
In
my second novel, Split, (which is not quite finished, but close) I
tackle this issue in more depth by giving my protagonist an alter ego,
who is truly evil. But again, she can't be too evil. She can't be evil without cause like some lifeless soap opera villain. She must have motive in order to be believable.
Character
development is key to any good story. If I had one tip for aspiring
writers it would be to start there and work your way out.
Read an excerpt and learn more about me at
www.ChelsieShakespeare.com
Chelsie has generously offered a copy (eBook) of The Pull to one of our readers. What do you have to do to enter?
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I read a few reviews about this book and was intrigued. I tried to get back to those reviews and I don't know where I found them! Oh well, I would definitely read this and would love to win the giveaway!
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